One of the most influential sacred texts in Buddhism is the Lotus Sutra.
The Lotus Sutra has had a tremendous influence on Buddhism as we know it today. Much of Buddhist culture as we know it either came from the Lotus Sutra, or was influenced by its ideas and teachings. Not everything, of course. But the influence is hard to ignore. If you know the Lotus Sutra, a lot of things about Buddhist culture make more sense.

Because the Lotus Sutra has been translated to many different cultures at different times, it has had many names:
| Original language | Title | Romanization |
|---|---|---|
| Sanskrit | Saddharma Puṇḍarīka Sūtra | n/a |
| Chinese | 妙法蓮華經 | Miàofǎ Liánhuā Jīng |
| Vietnamese | 妙法蓮華經 (Han Nom) Diệu Pháp Liên Hoa Kinh (modern) | n/a |
| Korean | 妙法蓮華經 (Hanja) 묘법연화경 (Hangeul) | Myobeop Yeonhwa gyeong |
| Japanese | 妙法蓮華経 | Myōhō Renge Kyō |
| Tibetan | དམ་ཆོས་པད་མ་དཀར་པོའི་མདོ | Damchö Pema Karpo’i do |
The full title in English is the Sutra on the White Lotus of the True Dharma, but usually we just call it the “Lotus Sutra”. Similarly, in other languages, the full title of the Lotus Sutra is shortened as well. For example, in Japanese, Myōhō Renge Kyō is shortened to Hokekyō.
But I digress.
The Lotus Sutra is not short, and for new Buddhists it is not easy to read. Composed in India in the first century CE, it is divided into 28 chapters, so it reads like a full book. Many of these chapters have a prose section, then repeats itself in one or more verse sections.1
Like all Buddhist texts, or sutras, it presents its teachings in the form of a sermon by the historical founder of Buddhism, Shakyamuni Buddha (“Shakyamuni” for short). Could the Buddha have given such a long, long sermon all in the span of one sitting? Probably not. But that’s how Buddhist sutras are usually presented.

Through the Buddha, the Lotus Sutra teaches many parables and similes to get its point across. Many of these parables took on a life of their own and frequently appear in Buddhist art or literature. Others are strange and obscure to modern readers. In fact, if you’re just reading the sutra for the first time, it really helps to have some kind of side-by-side guide to help make sense of it because if you tried to read it literally, you will get a headache. Thich Nhat Hanh’s book Opening the Heart of the Cosmos really helped me a lot.
For example, the chapter with the Sermon in the Sky, where a second Buddha named Prabhutaratna appears, and everyone flies up impossibly high to hear their sermon, and the Buddha projects himself across many worlds, is a difficult read. If you try to read at face-value, it reads like a fever dream.


But the style of the Lotus Sutra isn’t to appeal to the head, it tries to appeal to the imagination. It is one thing to say that life is impermanent, it is another to describe the world as a great burning house, with people inside too distracted to notice. When the Buddha is shown projecting himself to countless worlds, it is just a colorful way of saying that the Dharma is everywhere, and there are countless buddhas across many worlds each preaching according to the environment. When the Buddha describes archetypal bodhisattvas in the later chapters, each one is meant to convey a different Buddhist virtue.
Deep stuff.
The Lotus Sutra was pretty radical for its time, and a core part of the larger Mayahana-Buddhist reform movement. The parable of the Dragon Princess, attaining enlightenment faster than any was obviously meant to blow the minds of the establishment, and challenge certain cultural prejudices about women, and so on.

Similarly, the chapter where countless streams of “bodhisattvas of the earth” emerge from the ground was meant to show how we didn’t need to rely on elite gurus, but that everyone had the capacity for being a bodhisattva too, if they just had the confidence.
I’ve talked about the main themes of the Lotus Sutra in an older post, but I wanted to cover two really important ones.
First, the most important teaching of the Lotus Sutra is probably the “One Vehicle” (Ekayāna) teaching. Previously, the reform Mahayana, or “great vehicle” Buddhists, bickered with the traditional Buddhist establishment (called Hinayana, or “small vehicle”), and traded barbs witih one another. You can see this is in some of the really early sutras composed by Mahayana Buddhists.
But then the Lotus Sutra took a step back and looked at the big picture, and taught that it was all just Buddhism (e.g. “one vehicle”) anyway. There were many places to start, and ways to move forward, but in time they would all converge, and the quality of one buddha was no different than another. What worked for one person didn’t necessarily work for another. There was no use bickering, any effort great or small was worth it.
Second, the other major teaching of the Lotus Sutra is that the Buddha was far, far older than history would tell us. The sutra implies that the Buddha would appear in some time and place, restart the Buddhist community, grow old and die, but that was just trick to keep people getting attached to the Buddha. This seems pretty disingenuous.
But what the sutra is trying to tell us is that the Buddha just personifies the Dharma (the teachings), and that the Dharma is the Buddha. Since the Dharma, the principle of existence, has always been around, in the same way one can see the Buddha also being around in one form or another, even in the darkest of times. Where does one begin, and the other end? I think the Mahayana Buddhists who composed it wanted people to stop getting hung up on the physical/historical Buddha, avoid a “cult of the Buddha”, and focus on the Dharma.
As a side note, the Lotus Sutra frequently promotes itself. It says that anyone who sincerely hears the Lotus Sutra, and praises it gets all kinds of benefits. But is not the Lotus Sutra as the written text from 1st century India. Like the “eternal Buddha”, this is the Lotus Sutra as the ultimate teaching (e.g. the Dharma) in its unvarnished form.
Thus, the Lotus Sutra is in some ways a very strange text because it is so dense with metaphor, simile and parables to get things across. But when you look at all the artwork and culture influenced by it, you can see that it gets something right. Rather than appealing to intellect, it conveys its messages through more impactful means. It is one of those texts that you keep referring back to over the years because it stands out so much.
Speaking from experience, it helps not to read it from cover to cover. Instead, focus on one chapter, try to suss out the meaning. Some chapters are, in my experience, a little bland, others are really moving. Sometimes a chapter won’t make any sense, then years later you will have an “ah ha” moment and you see it in a new light.
Speaking from experience. 😏
P.S. I probably own 3-4 translations of the Lotus Sutra, the Gene Reeves translation is probably the easiest for beginners in my opinion, but I like them all in their own way.

1 Researchers believe that the verses actually came first, and then the authors composed narrative around them.


























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