Recently, I reread a famous autobiography of a former “bathhouse” geisha titled Autobiography of a Geisha. The geisha in question, Sayo Masuda (1926? – 2008), lived a pretty horrible life and her story as a geisha is far from the glamorous stories normally told in English publications.
The short summary is that Sayo Masuda was a child born from an impoverished mother who cycled through a few husbands, and unable to feed or raise her kids. So, she sold some of the children off to indentured servitude. Sayo was one of them (she didn’t even know her name until her teenage years). The landlord family who took her in was very abusive and did nothing to support or raise her: she was another mouth to feed, and they did the bare minimum to raise her. Sayo never received a formal education, and was thus totally illiterate for life. Later, she was sold again as an indentured servitude to a local geisha house in Nagano Prefecture. Her geisha “mother” similarly abused her for minor infractions and made her work chores all day to support the existing geisha, until she was trained to be one as well.
The term geisha (芸者) is tricky because it means different things to different people. Much of it has been romanticized by Western media, but also by autobiographies like Iwasaki Mineko’s “Geisha, A Life“, which was told from the perspective of a very high-class geisha working in Kyoto.1 Sayo Masuda, by contrast, was a geisha at a provincial red-light district, so there was every expectation that she would be available for sexual favors and would have a danna (“patron”) well before she was 18. What separated provincial geisha from prostitutes mostly was mostly a degree of refinement and artistic skills (song, dance, conversation, etc).
It was a very nasty and cutthroat world she survived in:
Geisha can do horrid, spiteful things: they’ll attack one another tooth and nail, each trying to force the other out of the way. To someone who doesn’t know this world and sees only the surface of it, I suppose we must appear quite carefree; but inwardly were eternally weeping tears of pain and sorrow.
Page 70
Much of the biography covers her struggles to survive in a cutthroat world, but also her increasing shame as she got older, and felt that was not worthy of some of the kind men she would meet. Her sense of despair, guilt, and hopelessness only increased as she got older, and she wondered if she’d ever be more than a nasty, cutthroat geisha.
Diverging a bit, this sense of crushing hopelessness tied with evil is a bit theme in J.R.R. Tolkien’s The Lord of the Rings, too. People who are corrupted and succumb to evil are those who are most often weighed down by guilt (Gollum), desperation (Boromir), or hopelessness (Denethor, steward of Gondor). Frodo the Ringbearer almost succumbs too, if not for the love and optimism of Samwise Gamgee. This is how evil works: not just through raw force, but also by breaking people down.
But I digress.
Sayo Masuda thankfully did have a happy (though bittersweet) ending where she finally found stable employment in spite of her literacy, and friends and family who supported her.
As I read this, I kept thinking over and over of a famous anecdote from the time of Honen, founder of the Pure Land sect (Jodo Shu) in Japan. Namely, when Honen was exiled to the provinces and encountered a woman of the night. She too lived a nasty, cruel life and wondered if she’d ever find salvation. Honen kindly told her:
“Your guilt in living such a life is surely great and the penalties seem incalculable. If you can find another means of livelihood, give this up at once. But if you can’t, or if you are not yet ready to sacrifice your very life for the true way, begin just as you are and call on the sacred name. It is for just such deluded folk as you that Amida Buddha made that wonderfully comprehensive Original Vow (hongan 本願). So put your full trust in it without the smallest reservation. If you rely upon the Original Vow and repeat the nenbutsu, your ojo is absolutely certain.”
Later, when Honen was pardoned and allowed to return to the capital, he found out that the woman had been inspired to take up the Buddhist path, and died as a nembutsu follower. He reportedly said:
“Yes, it is just as I had expected.”
This sense of redemption is one of the strongest aspects of Pure Land Buddhism to me. The transformation of “bits of rubble into gold” is something that appeals to myself and many others who struggle with teh Buddhist path, or just struggle in life. But the basic theme of Mahayana Buddhism is not just that all beings can be awakened as Buddhas, but given enough time they all will be awakened as Buddhas.
But even going allllll the way back to the earliest sermons (sutras) of the Buddha, we can see the symbolism of a lotus flower growing from the mud:
“Monks, just as a blue, red, or white lotus—born in the water, grown up in the water—stands having risen above the water, unsmeared by the water; in the same way, the Tathāgata—born in the world, grown up in the world—dwells having conquered the world, unsmeared by the world.”
The Puppha Sutta (SN 22:94), translation by Ven. Thanissaro Bhikkhu
And again later in the Amitabha Sutra in the Mahayana tradition, the Pure Land of Amida Buddha is described in terms of its lotus ponds:
The lotus-flowers in the lakes, large as chariot wheels, are blue-colored
with blue splendor, yellow-colored with yellow splendor, red-colored with red splendor, whitecolored with white splendor, and (they are all) the most exquisite and purely fragrant.
English translation from the Chinese Version of Kumarajiva by Nishu Utsuki, The Educational Department of the West Hongwanji, Kyoto, Japan: 1924.
To reiterate, the idea of a lotus growing from the mud, unsullied by the mud was both intended to show the potential of all beings to awaken like the Buddha, but also the many colors of lotuses (in my opinion) show the diversity of followers from many walks of life.
Namu Shakamuni Butsu
Namu Amida Butsu
1 She also had a pretty high opinion of herself, which was grating to read at times. I seriously doubt her experience is representative of a lot of women in the industry.
You must be logged in to post a comment.