A Look At the Hellenistic Age Dynasties

The Hellenistic Age in history is the period after Alexander the Great died in 323 BCE, when his soldiers scrambled for power over the vast conquered empire, and ruling the known world for three centuries until they were toppled one by one by the Roman Republic.

These dynasties, descended from Alexander’s generals and philoi (trusted companions), were all Greco-Macedonian in culture and language, yet because each dynasty ruled over a different culture: Egyptian, Persian, Babylonian, and so on, they took on their own unique characteristics. These Hellenistic kings exemplified masculine warrior king ideology as they competed for legitimacy through warfare and conquest, with no overarching political ideology.

Let’s look at a couple examples.

The Seleucid Empire

The Seleucid Empire, descended from former general Seleukos I Nikator (“the victor”). The Seleucid Dynasty had by far the largest chunk of Alexander’s conquests, but also the most difficult to maintain. The diversity of people of people from the Levant, including the Hebrews, the Babylonians, the Parthians, and peoples in northwest India required constant vigilance to rule by a tiny Greco-Macedonian minority.

To assist with their rule, the Seleucids wisely adopted Babylonian customs and religious ceremonies, while their patron god Apollo synthesized with eastern Persian (and Parthian) cultures who venerated archery. The Seleucid kings had to go on campaign constantly to maintain control over such a large empire, while maintaining religious functions in Babylon. The satraps (local kings ruling each province in Persian tradition) required constant discipline because they were prone to set themselves up as rivals. The early Seleucid rulers also established or augmented Greek colonies across the empire to help maintain rule.

The powerful Antiochus III Megas, (a.k.a. Antiochus the Great) made a famous Anabasis campaign that took him all the way to Kabul, Afghanistan to crush rebel satrap Euthydemus I, in Bactria, before swinging back around and crushing then re-subjugating Persia, and Coele Syria (the lands around modern Israel). Antiochus III Megas, the most successful of the Seleucid rulers, only keep it all together through sheer force of will and constant warfare, and many later rulers were simply not as capable or successful.

After Antiochus III, the empire began to unravel as his sons Seleucus IV Philopator and Antiochus IV Epiphanes, and their progeny gradually split the ruling family, as one side would usurp the throne, while the other would eventually reclaim it. All this happened, as enemies gradually increased on their borders, and the territory they ruled over got smaller and smaller.

Antiochus IV Epiphanes is particularly infamous in the biblical tradition, namely in the Old Testament, for his Abomination of Desolation (defiling the Temple of Jerusalem and replacing worship of G*d with pagan idols) and became the archetypal antichrist figure later. The Hellenistic Age podcast has a really nice series of episodes about this period:

Definitely check them out if interested. By the way, the Jewish holiday of Hanukkah dates from the time of Antiochus IV, and his (failed) efforts to crush the Maccabean revolt, though according to the Hellenistic Age Podcast, the tradition of the Menorah seems to date some time later. (Happy Hanukah to Jewish readers, btw!)

Ptolemaic Egypt

The Ptolemies, by contrast, ruled a somewhat smaller empire, but it was more culturally unified, and incredibly rich. By the time Alexander the Great came to Egypt, Egypt as a nation-state had already existed for 2500-3000 years. So, Egyptian culture was OLD even by the standards of the ancient Greeks.

To rule such a state, the Ptolemies adopted rulership as another Pharonic dynasty, technically the 33rd such dynasty if you are counting. Unlike the traditional dynasts of Egypt, who ruled from either Memphis (Old Kingdom) or Thebes (New Kingdom), the Ptolemies settled in the northwest city of Alexandria, and ruled over a small but powerful Greek aristocracy. Much like the Seleucids, this ethnically Greek minority had certain privileges and rights that the rest of the population did not, and frequently filled key positions of the powerful bureaucracy. Their phalanx armies were, until relatively late, ethnically Greek in composition, while the Egyptian mostly fielded armies of archers and sailors. The Ptolemies were filthy rich, because the bureaucratic system they inherited from Egyptian society was so effective at regulating taxation and exploiting the farm labor for maximum profit.

Alexandria itself grew to a powerful center of learning and culture in the Mediterranean (rivaled only by Antioch in the Seleucid Empire) under Ptolemy II Philadelphus, and Greek religion synthesized with Egyptian leading to gods such as Sarapis with Greek deities, leading to an explosion of popularity in Egyptian deities (particularly Isis) outside of Egypt. These “refurbished” Egyptian deities didn’t always resemble their original Egyptian form, but represented a fascinating synthesis of Greek thought and Egyptian religion.

Edit: Extra History happened to put out a nice video about the Ptolemies in Egypt here:

Confusingly, every single king from Ptolemy I Soter to Ptolemy XIV Philopator was named Ptolemy. Every one of them. Further, brother-sister marriages were practiced with each generation per Egyptian custom, so after so many generations, you can guess what happened. The truth is, Hellenistic kings frequently married their sisters, not just the Ptolemies, since the available pool of “eligible” women of sufficient pedigree (ethnically Macedonian-Greek, from one of the elite families) were pretty small. So, after a few generations, every Hellenistic monarch was marrying a relative in some form of another, much like the Hapsburgs many centuries later.

Corruption was a chronic problem in the Ptolemy court, especially after Ptolemy IV Philopator, who lived a reckless and decadent life, then died, leaving the kingdom a mess for sycophants and corrupt officials to run into the ground. Things unravelled and got so bad that at one point, there were two Ptolemy kings (VI and VIII) who were rivals, one of them married to his sister Cleopatra III at some point, each fighting over Egypt as the Seleucid rule Antiochus IV above nearly overran Egypt until the Romans stepped into tell him to go home.

Out of all Hellenistic kingdoms, Egypt under the Ptolemies lasted the longest, but by the time that Cleopatra (yes that famous Cleopatra, the VII) died with her lover Marcus Antonius (Marc Antony) after the Battle of Actium, Egypt was a flailing, second-rate power that had greatly diminished through the centuries.

Problems with the Hellenistic Kingdoms

Although each kingdom, including the Ptolemies and Seleucids, was diverse in how Greek culture interacted with local cultures, there were some functional problems that affected each one until the Romans eventually crushed them one by one.

First, as you might have guessed, they fought each other a lot. The Hellenistic dynasts were constantly warring with one another. This required tremendeous funds to raise armies, but Hellenistic warfare relied upon Greco-Macedonian phalanxes, which were difficult to raise and train. So, with their vast wealth, they would often just buy their way out of the problem and hire huge mercenary armies. However, once you lost your army in battle, it was hard to raise another one quickly. By contrast, the Romans raised large citizen armies quickly and cheaply, so when an army was lost, they’d just raise more of them and replace their numbers. When Antiochus III lost to the Romans at the Battle of Magnesia, the empire never quite recovered.

Second, each royal family was constantly fighting with itself. The Antigonids who ruled Macedon proper were the exception, in that they faithfully supported one another until near the end, but the Seleucids and especially the Ptolemies were constantly murdering other family members. The strong central power of the king, with little or no shared power, meant that absolute power was very attractive and “there could only be one”.

Third, because monarchs often died relatively young, eunuchs and powerful ministers often filled in as regents (again the Antigonids were a happy exception), and many of them did not rule justly or honestly, leading to further conflicts and revolts.

Finally, because they were ethnic minorities ruling over much larger territories, mismanagement led to revolts that required even more resources to suppress. Very few Ptolemies, for example, learned the Egyptian language fluently, preferring to use Greek. Some monarchs tried to “Hellenize” subject cultures through organizing Greek-style poleis cities, gymnasiums and other features. Further, subject people often found it handy to take on Greek-style names, and style in order to find work in the government. Many famous Jewish people at the time spoke and wrote in fluent Greek while still maintaining traditions handed down from their Hebrew forefathers.

Across the Hellenistic world, the once powerful kingdoms, descendents of Alexander the Great and his famed army, collectively faded in power through squabbles, unstable regimes, and failure to adapt to new threats, and some whims of Fate, until they either were crushed by other, newer powers (Rome in the West, Parthians in the East). That being the case, the cultural legacy of the Hellenistic kingdoms, and the (often bumpy) synthesis of cultures is super fascinating, and its echoes still lives on with us today in such things as Hanukkah, Buddhist statuary, famous philosophers, the Library of Alexandria, and many more.

P.S. featured photo is a reconstruction of the Pergamon Temple in Berlin, Germany, a famous Hellenistic Age monument. Photo by Lestat (Jan Mehlich), CC BY-SA 3.0, via Wikimedia Commons.

One Life to Live

From the classic Star Trek episode, “Specter of the Gun” (s3:ep6), stardate 4385.3

Speaking of missed opportunities and the many rebirths of Buddhism, there’s another side to this discussion.

The Buddha really emphasized the importance of the life you live now. Yes, each sentient being lives a long endless stream of rebirths ad nauseum, but it’s not as if you just move to a new body, and pick up where you left off. Long story short, death is real, and not something to take lightly. Yes, your karma will propel another birth to take place, but this is a different person, and they have to start over to some degree.

I can’t really go into the theological questions,1 and I don’t know them very well myself, but in India there was much ink spilled over this distinction. For us 21st century readers, let me try to give an example.

Look at “Rogue-like” games such Hades, or Rogue Legacy 2. In such games, your character dies a lot, and each time you die, you have to start all the way from the beginning. Your character might inherit some rewards for past efforts (e.g. past lives), but this doesn’t doesn’t guarantee success, and your next run might be a total disaster and even set you back. In Rogue Legacy 2 in particular, each time you start over, you choose a new character, randomly generated from a few options.

So, each time you start over, you have to treat each life as something important and make the most of it. I think Buddhism works much the same way.

Namu Shakamuni Butsu

1 the crude summary is that in Hindu religion, the soul (atman) traverses from body to body. The Buddha taught anatman (“no soul”) instead. The Buddhist version implies cleaner “break” between lifetimes, but how it all works is beyond me.

A Product Of One’s Era

I stared for half a day once at an old man sitting on a bench in Arrakeen. He was a fifth-generation descendant of Stilgar the Naib and did not even know it. I studied the angle of his neck, the skin flaps below his chin, the cracked lips and moistness about his nostrils, the pores behind his ears, the wisps of gray hair which crept from beneath the hood of his antique stillsuit. Not once did he detect that he was being watched. Hah! Stilgar would have known it in a second or two. But this old man was just waiting for someone who never came. He got up finally and tottered off. He was very stiff after all of that sitting. I knew I would never see him in the flesh again. He was that near death and his water was sure to be wasted. Well, that no longer mattered.

Frank Herbert, “God Emperor of Dune”, chapter 5

It’s not uncommon to hear our grandparents1 talk about the “olden days”, and how we kids “have it easy!”. Chances are, you probably heard this too. As we get older, we start doing it too!

But sometimes I think about this quote from Herbert’s “God Emperor of Dune”. The planet Arrakis was once a harsh, forbidding desert planet where water was extremely scarce, and its Fremen people lived on the edge of survival. And yet, when Leto II Atreides the God Emperor ascended to power, he transformed the planet into a tropical paradise. Insodoing, the Fremen became softer generation after generation, forgetting their hard-learned survival skills.

Yet, I don’t mean this as a judgment. Instead, I think people are unwittingly products of their surroundings. At birth we don’t choose our parents, our native language, or which country, ethnicity, or “caste” we are born into. We are simply thrust into some circumstances outside our control, and even if we reject them, it still shapes who we are.

Further, as society moves from times of war (or pandemic), to times of peace, people change in response. Then, if war breaks out again, they change again. During times of prosperity, people behave one way, but in times of scarcity, they change again. It’s not that one generation is somehow better than another: they just respond to different conditions.

So, sometimes, I think about what forces have shaped myself up until now: my family’s political leanings, the socio-economic circumstances, and why these might have shaped my own personal biases. Even now, as I watch my kids grow up and leave the nest, I can already see generational differences with them, shaped by technology, world events, changes in social attitudes and so on. My grandchildren’s grandchildren will be even more different.

This is neither bad nor good, it’s just how things work.

P.S. Double-post today!

1 Including the dinner table … happy Thanksgiving!

The Japanese Way of Doing Things

My guide book on Japanese culture talks about a concept called sahō (作法), which in a mundane sense just means “instructions” for doing stuff. But the book explains that it also describes how things are done culturally:

… for example, in the case of the tea ceremony, every act is carefully choreographed, from where people sit, to how the water is boiled, to how the ea is prepared and so on.

Again, in the business world, one can observe sahō in action as the seller employs polite language and bows often as he shows various forms of respect to the buyer. Another case would be the social setting of a company, where a subordinate will use particular sahō with his boss.

Page 156

The book further explains:

For most Japanese, sahō is an ingrained pattern of behavior that affects their day-to-day actions without them even being aware of it. However, for people who come from overseas, some of these practices may appear puzzling. Why is someone bowing so many times in a particular setting? Or at another time, why is someone sitting ramrod straight? But for the Japanese, they are simply following the sahō that is appropriate for that place and circumstance.

I definitely experienced some of this confusion in the early years when I visited Japan with my wife. My in-laws kindly took me to a local Takashimaya department store and paid to get me a tailored suit. As a poor white kid in America, the experience was kind of awkward on a few levels: I wasn’t used to getting measured for a tailored suit, I wasn’t used to the very polite speech and mannerisms of the store employee, I wasn’t very good at speaking Japanese, and I wasn’t even used to owning my own suit.1

This concept of sahō isn’t limited to Japanese culture, of course. It is true, based on limited experience, that things can feel really choreographed in Japanese culture compared to American culture, but the idea of “how people do things” is universal. The American handshake is on example, the tendency for Russians not to smile during formal settings, the “pub culture” in Ireland and so on. There’s countless examples unique to each culture.

Even for a culture like Japan, where everything really is kind of choreographed, you do get used to it. The extra flourishes at the bookstore (wrapping the books, extra bowing, etc) were a bit confusing at first, but after a while, I don’t even really mind it anymore. Similarly, certain habits became ingrained more and more each time I visit.

So, when you encounter another culture, the important to bear in mind is that each culture has its own sahō, and it will be different than yours. Be observant, be flexible. If you do, you’ll quickly adapt and will succeed. People who stand like tall trees in the wind get blown down, but those who bend like grass prosper.

Food for thought.

P.S. Fun bonus post before Thanksgiving weekend! Happy Thanksgiving Day and Native American Heritage Day to readers in the US.

1 It is still the only suit I own, but I save it for important occasions only, such as my mother-in-law’s funeral. Speaking of sahō, funerals in Japan are very formal compared to American ones.

IDIC, Redux

Imagine a star in the sky, any star. It is a great big ball of hydrogen gas (some helium too). Its own mass is so great that it compresses its core with tremendous heat and pressure until it ignites a nuclear fusion reaction.

Photo by Pixabay on Pexels.com

Through nuclear fusion (not fission as we use), hydrogen molecules fuse into helium, releasing energy each time. If the star is heavy enough it will eventually also fuse helium into things like carbon and oxygen. If the star is exceptionally big, it will fuse even heavier elements.

Such stars, when they reach the end of their lives, billions of years later, explode in dramatic fashion scattering all their fused elements into space. In a few more billion years, this material coalesces into another star, some planets, etc.

DELENN: We are all born as molecules in the hearts of a billion stars molecules that do not understand politics or policies or differences.

Over a billion years we foolish molecules forget who we are and where we came from.

In desperate acts of ego we give ourselves names, fight over lines on maps and pretend that our light is better than everyone else’s.

Babylon 5, “And All My Dreams, Torn Asunder” (s5:ep16)

Thus when you look at your own hands, or the cup of coffee you are drinking it is literally, and scientifically speaking, made from material that was fused in a nuclear reaction by stars that were destroyed many billions of years ago. This generation of stars is all but gone (the Universe is quite old), but we are their legacy. From ancient chemical processes, a near-infinite number of things have arisen. As the Vulcans in Star Trek would say: infinite diversity in infinite combinations (IDIC).

And yet, it’s easy to forget this.

We take our bodies for granted, as well as the things around us. We also assume they are permanent. A coffee cup is a coffee cup. Always will be. This gives rise to thoughts of “me” and “my things”. Survival becomes our primary motive. We are homo sapiens after all.

Evolution teaches us that we must fight that which is different in order to secure land, food, and mates for ourselves. But we must reach a point where the nobility of intellect asserts itself and says no. We need not be afraid of those who are different. We can embrace that difference and learn from it.

G’Kar, Babylon 5, “The Ragged Edge” (s5:e12)

But none of this is permanent. As the Buddha taught, we do not own anything. We don’t even truly own ourselves:

Rahula, any form whatsoever that is past, future, or present; internal or external; blatant or subtle; common or sublime; far or near: every form is to be seen as it actually is with right discernment as: ‘This is not mine. This is not my self. This is not what I am.'”

Mahā Rāhulovāda Sutta (MN 62) of the Pali Canon, translation by Thanissaro Bhikkhu

Thus, that cup of coffee isn’t really your cup of coffee. Your body isn’t really yours either. At most, you are borrowing that body (a gift from your parents, the universe, etc). That cup is in your care, but it will fall apart or go in the bin someday. Your children are in your care; you do not own them.

In time, like the stars that once forged the elements in your body, such things will be long, long gone. Dust in grand scheme of time.

P.S. Original IDIC post.

Buddhist Iconography and Iconoclasm

G’Kar: Despite my best efforts, I’ve become an icon. I didn’t understand why or how until I saw this [holding a small statue]. I realized it’s simpler to make a statue to someone who you believe embodies all your better qualities than it is to actually improve yourself.

Garibaldi: And this saves you from having to think.

Babylon 5, “Wheel of Fire”, s5:ep19

The question of Buddhist images and icons in Buddhism has many twists in turns in its long history. In early, early Buddhism, the Buddha was represented simply as a set of footprints, and Buddhist statuary did not exist until the Greek-influenced Gandharan culture centuries later. Since then, Buddhist iconography (religious images) has become very elaborate, depicting many buddhas and bodhisattvas, using a variety of gestures and symbols to convey meaning.

I own a book in Japanese that goes into great detail about the different types of statuary, the meaning of each gesture, and other terminology.

The central image of Kannon Bodhisattva at Sanjusangendo temple in Kyoto Japan, for example, shows 1,000 arms, each holding a different item, in order to convey the myriad ways that Kannon helps living beings.

When you look at esoteric (a.k.a. Vajrayana) Buddhism, the symbols, images and statuary become even more elaborate because they are central to the teaching method. Mandala alone can be very complex and require years of study.

On the other end of the spectrum is the archetypal Zen master who smashes statues, or burns Buddhist sutras in order to teach a lesson. Zen has a reputation for iconoclasm,1 even if that reputation is almost certainly exaggerated.

This quote from Babylon 5 gives me mixed feelings. Buddhism runs the gamut between intense usage of icons and ardent iconoclasm, so that begs the question: which approach is right? The Babylon 5 quote sounds like it favors the more Zen-like iconoclasm, and I do think there is some truth to this.

The Buddha did seem downplay the need to venerate the Buddha, and instead encouraged people to put the teachings, the Dharma, into practice. Yet he never discouraged it either. In the Maha-parinibbana Sutta in the Pali Canon is this excerpt:

And the Blessed One spoke to the Venerable Ananda, saying: “Ananda, the twin sala trees are in full bloom, though it is not the season of flowering. And the blossoms rain upon the body of the Tathagata and drop and scatter and are strewn upon it in worship of the Tathagata. And celestial coral flowers and heavenly sandalwood powder from the sky rain down upon the body of the Tathagata, and drop and scatter and are strewn upon it in worship of the Tathagata. And the sound of heavenly voices and heavenly instruments makes music in the air out of reverence for the Tathagata.

“Yet it is not thus, Ananda, that the Tathagata is respected, venerated, esteemed, worshipped, and honored in the highest degree. But, Ananda, whatever bhikkhu or bhikkhuni, layman or laywoman, abides by the Dhamma, lives uprightly in the Dhamma, walks in the way of the Dhamma, it is by such a one that the Tathagata is respected, venerated, esteemed, worshipped, and honored in the highest degree. Therefore, Ananda, thus should you train yourselves: ‘We shall abide by the Dhamma, live uprightly in the Dhamma, walk in the way of the Dhamma.'”

Translation by Sister Vajira & Francis Story

No “crazy wisdom”, smashing shrines, or anything, but also no heavy reliance on veneration either. Some people will venerate the Buddha after his death, which is fine, but better still to honor the Buddha by putting the teachings into practice.

Further, in the Lotus Sutra, the capstone of the Mahayana-Buddhist tradition, the sutra emphasizes the importance of expedient means (“upaya” in Sanskrit), meaning different tools for different people at different stages of their life. Buddhism in general, and especially Mahayana Buddhism, is like a toolbox equipped with lots of tools.

Photo by Pixabay on Pexels.com

So, at the beginning, it makes sense to find what resonates with you and make that a point of veneration, a sutra to recite, a practice to undergo, etc. In the Lotus Sutra, specifically chapter seven, he compares this to a “magic city”, a temporary refuge on a much longer journey:

When the leader knew they were rested, he called them together and announced, “Now you must push forward– this is nothing more than a phantom city. I saw that you were weary and exhausted and wanted to turn back in mid-journey. Therefore I used the power of expedient means to conjure up this city for the moment. Now you must press forward diligently so that together you may reach the place where the treasure is.”

Translation by Dr Burton Watson

Yet, over the years, one’s practice and one’s understanding of Buddhism might change and evolve. In such a case, the original tool, deity, whatever isn’t needed any more, like a map of Paris versus going there. You are in Paris now, and can explore and continue your adventure there.

But I think what G’Kar and Garibaldi are getting at is that some people don’t do this. They seem stuck in their ways, and always seem to want the teacher to solve the problem for them, or for their beloved Buddhist figure to embody all their needs and such. In such cases, it does become more of a hindrance than a tool, like holding onto a raft after you are done. I vaguely remember that the late Thich Nhat Hanh mentioned in one of this books (I couldn’t find the quote) that some members of his temple community never seemed to grow beyond their need of a teacher. I am sure other modern teachers can attest to this as well.

So, if something in Buddhism helps you, hold on to it and cherish it, but remember that (like the Lotus Sutra teaching) it is only a phantom and at some point you will need to let it go.

Namu Shakamuni Butsu

1 The term iconoclasm, by the way, dates from a period in the Eastern Roman (Byzantine) Empire when a small movement in Constantinople sought to reduce reliance on religious icons, believing that such “idolatry” would invite further punishment from God.

It’s not clear if this was instituted willingly by Emperor Leo III and his son Constantine V, or a response to public sentiment, but many religious icons were taken down or destroyed at this time, though many were restored later. Byzantium experienced a few other waves of iconoclasm after this, and all of this is tangential to the Protestant tendency toward iconoclasm.

Above Reproach

Recently, while cleaning out old notes from my mobile phone, I found this quote from the massive Buddhist text, the Avatamsaka Sutra (a.k.a. “The Flower Garland Sutra”) which I apparently saved in 2022 (!). I cannot remember where in the sutra this quote comes from, but I probably meant to post about it sooner than later. So… three years later I am finally posting this quote:

The peaceful nature of the buddhas cannot be known

By the covetous or the malevolent,

Or by those shrouded in the darkness of delusion,

Of those whose minds are defiled by hypocrisy and conceit.

Translation by J.C. Cleary

As we’ve seen with the Yogacara school of Buddhism, what we think and do helps “color” the world we also perceive, and thus becomes a feedback loop. Thus, someone who is prone to lying assumes others lie too. Someone who is aggressive or domineering fears others will dominate him, and so on. This is the world they perceive because their minds harbor such thoughts. In the Pali Canon is a sutra wherein the usurper king Ajātasattu visits the Buddha for some spiritual advice. Later, the Buddha laments that due to Ajātasattu’s prior patricide, his spiritual progress will be limited at best.

Thus, the Flower Garland Sutra says that evil men cannot “see” the Buddha because their minds are too clouded by greed, anger and arrogance. Of course, they can physically see a statue or image, but they may learn little or nothing from it. They may as well be living on another planet. It does not resonate with them, and so they miss out on learning the Dharma. They will fall into evil rebirths, and may not gain another opportunity for generations, centuries, possibly longer.

Conversely, one who lives a clean life, and avoids harboring greed, anger, and arrogance will see the Buddhas. I don’t necessarily mean in terms of visions and such,1 but they will see the Buddha-Dharma everywhere (even in awful places and situations), and learn from it. From there, their perception will only continue to grow and mature, leading to greater wisdom.

This idea isn’t limited to the Flower Garland Sutra. The famous sixteenth chapter of the Lotus Sutra basically says the same thing: those who live upright see the Buddha and his Pure Land here and now.

So, take heart. If you strive to keep your “house in order”, and avoid harboring ill-will and such, you will not fail to see the Buddha someday.

Namu Shakamuni Butsu
Namu Amida Butsu
Namu Kanzeon Bosatsu

1 True story: in my 20’s, when my oldest daughter was a baby, and I was first exploring Pure Land Buddhism, I once had a really vivid dream, where I was offering armfuls of incense sticks at the feet of a statue of Kannon Bodhisattva. It’s the one and only time I’ve had a “Buddhist dream”, but I suppose it can happen to anyone.

Playing The One Ring RPG in “Strider Mode”

A few months ago I wrote a review of a relatively new TTRPG (table-top role playing game) called The One Ring by Swedish company Free League Publishing.

Since that time, I’ve been having a fun time playing this game in “strider mode” or solo mode. This is named after the iconic character in The Lord of the Rings trilogy, Aragorn, who often went by the dubious nickname “Strider” despite his royal heritage.

Aragorn, played by Viggo Mortensen

I play a session of The One Ring, often at night when my son is asleep, for an hour or two, a couple times a week. I enjoy bookkeeping my own progress, deciding where to travel next in Middle-earth and so on.

This post is a guide on how to get started, tips for play, and so on.

How Does Strider Mode Work?

Strider Mode means that you are both the Loremaster and also the sole player. The idea is that your character has enough grit and resolve to go adventuring alone, and so for 95% of the game rules, everything stays the same. The other 5% is mostly slight alterations to character creation process to make a solo play more feasible:

  • The TN difficulty is 18 minus attribute (18 – Wits for example), instead of 20 minus attribute.
  • If you spend a hope point, it is automatically inspired, so you get two extra d6 dice, not just one.
  • Fellowship points are (iirc) fixed at 3.

Because you are your own Loremaster, the Strider Mode resources (listed below) give lots of really handy tables for helping set the scene, or deciding why something might turn out a certain way. These tables are your best friend in Strider mode. Once I realized what these tables did, I found my story-telling experience in Strider mode got a lot better.

How Do I Play Strider Mode?

Strider Mode only requires a two things:

  • The core rulebook for The One Ring, 2nd edition. There is a PDF version in DriveThruRPG, and also the physical book. Personally, the print quality of the book is really nice, so it is worth it if you can afford it. Also, if you order the physical books through Free League Publishing’s site, you get a voucher to get the PDF anyway.
  • The Strider Mode PDF available on DriveThruRPG. This is indispensible, but also very affordable.
  • D12s and D6 dice, or better yet, use the specially printed One Ring ones to make life easier.

Optional, but recommended:

  • The character sheet PDFs, downloadable from the publisher website.
  • Blank journey log sheets, also downloadable from the publisher. You will go through these fast, so print several, or keep a nice log book instead. I have an old engineering sketch book (the kind with grid paper), and it’s a great tool for recording travel.

Tips for Strider Mode Play

I have played a couple characters so far, a Dwarf (mentioned in my last review), and an Elf from Lindon, but so far I’ve noticed some play patterns that help your character succeed.

First, make sure you invest sufficient skill points in skills you’ll need for traveling. This includes Travel, but also Explore, Awareness, and Hunting. Since you are solely responsible for your own welfare in the wild lands, you need to know how to survive each challenge. I nearly lost Frar my dwarf after a nasty fall in the Blue Mountains. For my Elf, I spent too many points in Song and Lore, and not enough in Hunting.

Second, combat is extra difficult. My Elf, Belegon of Lindon, has had three combat encounters, and failed two of them. The first time he fell unconscious and was robbed by bandits. He also had to retreat from a battle with undead Marsh Dwellers. Since The One Ring doesn’t depend on combat like D&D, you should be more considerate about whether to engage in battle or not. Because one bad roll by one monster is enough to put you out. Just like real life, if you think about it. Also, make good use of the skirmish combat feature exclusive to Strider Mode, and make sure you have a ranged weapon.

Third, be frugal in how you travel. Without help from other party members, you have to be careful about how much load you carry, because fatigue can add up fast. This also means it’s a good idea, just in like in real life, to pace yourself in travel, travel smaller distances between towns if you can, etc.

Fourth, get to know the extra tables in the Strider Mode PDF. The Telling Table is a handy way of answering “yes or no” questions that the Loremaster would normally answer. The Oracle tables are a great way to answer “why” or “how” questions: how this elven cloak ended up in a hoard, why the bandits broke camp unexpectedly, and so on. These aren’t required, but they’re all handy narrating tools, so use them as you see fit.

Finally, treat your character the way you’d treat yourself: don’t hesitate to give them some much needed break during a Fellowship phase to research, socialize with characters, undo shadow points, etc.

Conclusion

Strider mode is a great way to experience The One Ring RPG at your own pace, play at as much or at little as you want. Having a fellowship with other players is a really great experience, and The One Ring emphasizes the importance of fellowship and kindred spirits (which is really nice), but even Strider mode lets you have a lot of fun too, especially in side quests or adventures where you get to explore, rather than hack and slash. The expansion books such as Realms of the Three Rings provide many nice, short, introduction adventures that are low-risk, but nicely suited for a lone adventurer.

Happy Adventuring!

Confronting a Suffering World

More than any other year in recent history, it seems like 2025 is a year where we are suffering more than before. It is frustrating to watch all this unfold, frustrating to know that even when you try to help, it feels like it makes no difference, and frustrating to see no light at the end of the tunnel. I feel a combination of denial, passivity, frustration, anger, despair, and everything in between, over and over.

IVANOVA: Damn it, John, there’s always too many of them and not enough of us. What am I supposed to do?

SHERIDAN: Fight them without becoming them.

Babylon 5, “Dust to Dust”, s3:ep06

But I’ve also been thinking about this a lot, and I realized that the forces of History are always in motion, even if we don’t see them. It can take years, or in some cases decades to see the bigger picture.

Claude from Fire Emblem: Three Houses saying “…but even while you’re standing still, the world keeps on moving. I always find that oddly comforting.”

But also, the little things we are doing here and now still matter. What happens to others who are suffering affects us, even if we are not consciously aware of it.

G’KAR: If we deny the other, we deny ourselves and we will cease to exist.

Babylon 5, “Point of No Return”, s3:ep9

Even those whom we oppose are suffering, even if we do not comprehend it:

If both sides are dead, no one will care which side deserves the blame. It no longer matters who started it, G’Kar. It only matters who is suffering.

Babylon 5, “Dust to Dust”, s3:ep6

So, simply standing back and letting history unfold isn’t enough. On the other hand it is just not possible to save the whole world. Even if I gave away everything I have here and now, it would be a drop in the bucket.

Instead, each one of us needs to find one small thing that we can dedicate ourselves to, for the good of others. In a Pure Land Buddhist text, The Larger Sutra of Immeasurable Life, the Buddha Amitabha started as a king, then a bodhisattva, and through tireless efforts over eons transformed his realm into the Pure Land through countless good acts, accumulated merit, and so on. This process was glacial, but it came to fruition nonetheless.

In the same way, each one of us when we dedicate ourselves to a cause, however small, it feels glacial. Nothing changes. But change does happen. As with the forces of History, things do unfold, but our actions help shift the currents of the “river of History” ever so little.

But even so, not every one will see this and understand. In the immense Buddhist tome, the Avatamsaka Sutra (a.k.a. the “Flower Garland Sutra”), is a famous quote:

On seeing a bodhisattva
Perform various practices,
Some give rise to a good mind and others a mind of evil,
But the bodhisattva embraces them all.

Original translation from the Collected Works of Shinran, courtesy of the Jōdo Shinshū Hongwanji-ha

This is the Mahayana Buddhist in a nutshell.

Namu Shakamuni Butsu

Namu Amida Butsu

P.S. Thanks to a bug in my blogging app I posted two posts at the same time last week. Apologies for any confusion.

Also, I am still resting a little from burnout, so no blog schedule for now. I wanted to at least finish some mostly-complete drafts for now.

Amitabha: The Welcoming Buddha

During my wife’s latest trip to Japan (I stayed home this year for various reasons), she found this delightful patch/sticker:

This is an image of Amida Buddha, welcoming the deceased to the Pure Land. This is called raigō amida (来迎阿弥陀, “Amida welcoming the dead”). I talked about this before a little while ago, becuase it was a common artistic motif in medieval Japanese Buddhism, especially at a time where disease, warfare and death would often cut people’s lives short.

The imagery of Amida Buddha coming to greet the dead is found primarily in the Contemplation of Amitabha Sutra (a.k.a. “the Contemplation Sutra”). The last section of the sutra lists the nine grades of people who are reborn in the Pure Land, and the fourth grade (“highest level of the middle grade”) gives the following description, for example:

“When such a person is about to die, Amitayus [Amida] appears before him, surrounded by a host of monks and radiating a golden light. He then expounds the truth of suffering, emptiness, impermanence and no-self, and praises renunciation of the world as the way to escape from suffering.

“Seeing this, the aspirant greatly rejoices and finds himself seated upon a lotus-flower. He kneels down, joins his palms and worships the Buddha. Before he raises his head, he attains birth in the Land of Utmost Bliss, where his lotus-bud soon opens.

Translation by Rev. Hisao Inagaki

Depending on the grade of the aspirant, this welcome may be more or less elaborate, but all of them are reborn in the Pure Land somehow.

So, I like this patch because it’s a reminder of the goodwill Amida Buddha extends to all beings, and how everyone can be born in the Pure Land if they want to.

Namu Amida Butsu

P.S. I kept the patch in its wrapper for a long time, but finally decided to put it in a sutra book I’ve been making.

P.P.S. Accidental double-post. 🤦🏼‍♂️