The Ten Oxen of Buddhism

While reading my introduction book in Japanese about Rinzai Zen, I came across a famous set of paintings that I had totally forgotten about for thirty years.

Me at the age of 17 demonstrating the “Lion Roar Yoga” pose (?) at my world religions class in high school with my teacher. The Burger King crown was something I got from the nearby restaurant because my friends and I would race there during lunch break, eat for 5 minutes, and run back to class. Ah, teenage life….

Many, many moons ago, I was a cocky 17-year old first learning about Buddhism, and Mr Pierini was my World Religions teacher in high school. Mr Pierini was a charming, older Italian-American gentleman who had a lovely opera voice, and loved sharing cool ideas with us kids. This is how I first started to explore Buddhism beyond reading books at home.1

There were a number of things I learned about Zen then that seemed really cool and mystical. Looking back they made no sense to me, but they were fascinating. It sounded “cool” to be Zen, but admittedly, I was young, clueless, showing off, and knew nothing. Among the things I read about at the time were the Mumonkan and the Ten Oxen, texts that (I realize now) are both related to the Rinzai Zen tradition.

The Ten Oxen (shíniú 十牛 in Chinese) is a famous set of ten paintings, with poetic captions that were composed in the Southern Song Dynasty of China. The powerful Song Dynasty lost the northern half of China to the barbarian Jin Dynasty,2 and retreated to the south beyond the Yangtze River, where it held on for another 150 years. Despite having their back to a wall, the southern Song Dynasty oversaw a wonderful flowering of Chinese culture, including Buddhism, and especially Chinese “Chan” (Zen) Buddhism. This is also noteworthy, because historically this is the time when such monks as Eisai and Dogen both came to China from Japan to study Zen.3

The use of oxen as a symbol for taming the mind in Buddhism, according to Wikipedia, dates way back to early India including such texts in the Pali Canon as the Maha-gopalaka Sutta, but the Ten Oxen were a way to visually explain the Buddhist path (as described in the Chan/Zen tradition) to readers as a nice easy introduction. There were, evidentially several versions in circulation, but in Japan the version by one Kakuan (Chinese: Kuòān Shīyuǎn, 廓庵師遠) from the 12th century was all the rage during the Five Mountains Period of Japanese-Buddhist history. It is since known as the jūgyūzu (十牛図).

My book has a nice, down to earth explanation of the ten oxen and what they mean, so rather than posting the images with poetry, I wanted to share the simple explanations here. The illustrations are from Wikimedia Commons, and were originally painted by one Tenshō Shūbun (天章周文; died c. 1444–50).

Searching for the ox

The cowherd is searching for his lost ox. The book explains that this is like someone looking for their lost Buddha-nature: that potential within us to awaken to full Buddha-hood (a.k.a. “Enlightenment”).

Footprints sighted

The cowherd now finds the footprints of his missing ox. This is like the Buddhist disciple who studies the Dharma (e.g. “Buddhism”), and gets the first hints at the true nature of things.

Ox sighted

Just as the cowherd sees his lost ox at last, the disciple of the Buddha grasps the point of the Dharma is (i.e. what’s it all about).

Grasping the Ox

One moment the cowherd has grasped the ox, another moment he is about to lose it. In the same way, my book explains that a person may perceived their true nature one moment, but lose sight of it again. The Buddhist disciple is still inexperienced and lacks certainty.

Taming the Ox

The wayward ox is now under control and lassoed, so the cowherd escorts it back home. For the Buddhist disciple, my book explains that through self-discipline such as the precepts, one’s delusions and conduct are brought to heel. This doesn’t mean they have resolved things, and one can still backslide, but at least they are under control now.

Riding the Ox

The cowherd is now confidently riding atop the ox, playing a flute. This means that one’s Buddha-nature is expressed through one’s form and behavior.

Forgetting the ox

Now that the cowherd is safely home with the ox, the ox is no longer a concern. My book explains that this symbolizes Enlightenment as one attains peace of mind.

Forgetting the distinction between self and ox

Here this empty circle expresses the Zen ideal that all is empty, and that there’s no distinction between oneself and the ox, or anything else for that matter; this is the Heart Sutra in a nutshell.

Back to basics

Having awakening to the nature of all things, things “return to the source” in a sense, or put another way, one sees mountains and mountains, trees as trees, etc. No more, no less.

Returning to society

My book explains that the cowherd now appears like Hotei (Chinese: Budai), the famous, jolly-looking figure in Chinese Buddhism and is in turn sharing the Dharma with another young cowherd. This cowherd will undergo the same quest, starting at picture one above.

In other words, everything comes full-circle.

In the same way, I don’t think teenage me imagined myself blogging about this 30 years later, and a bit more experienced, but life is funny that way.

Namu Shakamuni Butsu

1 Mr Pierini, thank you. 🙏🏼

2 Both would ultimately be destroyed by the Mongols especially under Kublai Khan who formed the Yuan Dynasty. This period of time is important to Japanese Zen history too because the influx of Chinese monks, especially Rinzai monks, to Kamakura-period Japan helped fuel a rise in Zen there. In the same way, the Fall of Constantinople in 1453 helped fuel the Renaissance in the West as refugees from the Eastern Roman Empire brought lost knowledge and know-how to the West. If there was any proof that we’re all connected in some way, look no further.

3 Earlier generations of Buddhist monks like Kukai (founder of Shingon) and Saicho (founder of Tendai) came to China during the Tang Dynasty, when connections to India were still flourishing. Hence, in Kukai’s case, he could study esoteric doctrine and Sanskrit directly from Indian-Buddhist monks. Centuries later, when Dogen and Eisai came to China, Buddhism had declined in India, and had gradually taken root in China in a more Chinese way. Of course, the Dharma is the Dharma, regardless of which culture and time it is taught, but it’s noteworthy that the Buddhism Dogen and Eisai was different: esoteric and scholarly Indian Buddhism had fallen out of favor, and a growing Zen (Chan in Chinese) community had largely replaced them.

Four Months Practicing Zen

I intentionally left this post in my blog draft folder for months, but now I am ready to post.

After a small revelation back in early May, I wanted to give it time and ensure that this change in Buddhist path wasn’t a spur of the moment decision.

After that little experience in May, I realized that I had misunderstood Zen Buddhism. Some of this is due to mixed experiences at local (Western) Zen communities,1 and in my opinion, systemic issues with Buddhist publications in English.3 Once I had better access to Japanese-language resources, and based on things I had sort of rediscovered, I decided to try to and go heads down for a few months and do my best to practice Zen as a lay person and parent.

My daily reminder list on my smartphone. A mix of mundane and Buddhist practice. 坐禅 means “zazen” and お勤め means “otsutome” (home service).

It took a lot of trial and error to get this right. At first, I had a tendency to succumb to self-doubt and start doing zazen meditation longer and longer, but then I would burn out, or have a busy day and skip. So, eventually I forced myself to keep it to five minutes, and I found I was able to sustain the practice more. Also, if I missee a day somehow, I would not punish myself over it.

Second, I struggled with how to do a Zen-style home service, so I had to do some research and this led to posts like this and this (these are for my own benefit as much to readers 😏 ). This home service underwent a few updates and changes over time, but I gradually settled on things over time, thanks to an old service I forgot I had.

Finally, I wanted to ensure I focused on Buddhist conduct as a foundational practice, and in particularly by upholding the Ten Bodhisattva Precepts. It’s also emphasized by such past Zen monks as a foundation for other aspects of Zen, but compared to the basic Five Precepts, I found myself struggling both to remember what the Ten Precepts were, and also remembering to avoid things like not bring up the past faults of others, or harboring ill-will towards others. This is still a work in progress, but I assumed it would be. It took me many years of following the Five Precepts before it became second-nature.

Anyhow, since I started this little project four months ago, I am happy to say that I have mostly stuck with it. I can count the days I missed practice on my two hands, which over four months is pretty good. I realized that small, realistic, daily practice is much more effective than trying to focus on big retreats. So, in a sense, it’s been a big win and a learning lesson for myself.

But also I realized that I also really missed some aspects of the Pure Land practice that I had been doing up until this point. For me, I found that Pure Land Buddhism tends to appeal to the heart, while Zen appeals to the mind.

Dr. Janet Wallace: “The heart is not a logical organ.”

Star Trek, “The Deadly Years” (s2ep12), stardate 3479.4

So, my practice has continued to evolve to mostly Rinzai-Zen style practice, but also with a few Pure Land elements too. I suppose this is more inline with mainland Chinese Buddhism where such distinctions are less important than Japanese Buddhism, which tends to be sectarian. Also, if it works for Obaku Zen, it works for me.

So, that’s my update. Am I Zen Buddhist now? I don’t know. I am hesitant to use that label because I am hesitant to associate myself with that community. On the other hand, I’ve found it very beneficial so far, but I haven’t forgotten what I learned from Pure Land Buddhism either. So, I guess I am both, neither, whatever. At this point, taking inspiration from Chinese Buddhism: I uphold the precepts, meditate a bit each day, dedicate merit to loved ones and those suffering in the world, praise Amida Buddha, Shakyamuni Buddha, Kannon and the Lotus Sutra. Whatever label fits that is what I am these days. 🤷🏼‍♂️

Frankly, I stopped caring. I like how my practice has evolved these past months, and happy to continue.

Namu Shakamuni Butsu
Namu Amida Butsu
Namu Kanzeon Bosatsu

P.S. Posting a little off-schedule, but oh well. Enjoy!

1 Not all experiences have been negative, but I have run into more than a few “Bushido Bros” and Japan nerds2 that soured my experience.

2 Yes, I am a Japan nerd too. I fully admit this, but nerds can be kind of intense and exhausting to talk to, so I don’t like to hang out too much with other Japan nerds.

3 It’s hard to quantify, but English books about Buddhism are either very dry, bland, and scholarly, or read like psychology self-help books, or just too mystical. When I read books in Japanese on similar subjects, I find them more down-to-earth and engaging. I know different people have different preferences, but I don’t like most English publications I find at the local bookstore. It is also why I try to share information (or translate if necessary) whenever I find it.

Back to Nature

SPOCK: There are many who are uncomfortable with what we have created. It is almost a biological rebellion. A profound revulsion against the planned communities, the programming, the sterilised, artfully balanced atmospheres. They hunger for an Eden where spring comes.

Star Trek, “The Way to Eden” (s3e20), Stardate 5832.3

世の中よ道こそなけれ思ひ入る山の奥にも鹿ぞ鳴くなる。

Within this world there is, indeed, no path! Even deep in this mountains I have entered, heart set, I seem to hear the deer cry!

Poem 83 of the Hyakunin Isshu, translation by Joshua Mostow

Recently, I came back from a camping trip, the last for our family before my daughter goes off to college. It was both good and bad. We stayed at Moran State Park on Orcas Island, Washington. I had been to Orcas Island a number of times over the years, but I had never really stayed there for personal reasons, so it was nice to explore at leisure for a change.

Cascade Lake near our campsite, which was very pristine and peaceful in the mornings. Our dog, Cherry, liked exploring here.
The so-called “Indian Island” in Eastsound bay. This area was once a village belonging to a Salish people called the Lummi (official homepage), who grew camassia crops on that islet. A combination of disease from Westerners and raids by northern Salish tribes drove them to the mainland. That lone pine tree feels like a momument to the Lummi to me…
A view from Mount Constitution, the highest peak on Orcas Island, facing eastward towards Washington State. I visited here many years ago as a kid on a school camping trip, but don’t remember much.

I posted the Star Trek quote above, not just because it sounds cool, but it does explore a side of us all: yearning for the simple country life. We all feel that revulsion toward modern life, and want to escape, yet even just after a couple days of camping in the woods, the smell of body-odor, noise from neighboring campers,1 and lack of food variety, Internet access, and electricity made us really eager to go back home. Even with modern amenities like gas stoves, freezer coolers and ready-made food (including instant ramen), it quickly gets old.

It wasn’t just me either. There was a lone woman camping just next to us. She brought her dog, and a stack of books to read, and seemed like an experienced camper, but it was clear that she wasn’t finding the solace she sought, and spent most of her time away from campsite to (presumably) find a quieter spot.

The fabled Eden sounds nice, but such a bucolic past probably never existed. Pre-modern life was in reality hard, exhausting, and safety was not always guaranteed.

Yet, modern life has its own challenges and dangers too. We might not die from dysentery anymore, but we often suffer obesity, isolation, and constant anxiety. We might not starve like our ancestors did, but we also eat some egregiously bad food thanks to mass-production and chemicals (including microplastics). Similarly, our fellow Man has replaced natural predators as the threat to our lives.

I don’t want to downplay the benefits of modern life, though.

The average2 lifespan of a human being in the 21st century is significantly longer than before. My little incident a couple years ago likely would have killed me before modern medicine. Dying in one’s forties was not uncommon in the pre-modern era. But the dangers of modern life are still there but now more subtle, yet catch up to us eventually.

In short, life is a struggle, no matter how long we live. Getting to old age without suffering any major health issues is something to be grateful for, but even more important is how you choose to live your life up to that point. As the Zen aphorism goes: every day is (sort of) a good day, so enjoy the moment, and try to live with some element of dignity and free of regrets.

Namu Shakamuni Butsu

1 There was a very rude family camped next to us. The mom kept yelling and swearing at her two toddler children, who in turn were constantly crying and talking back … at 4am in the morning. Ironically, the lady had a “Live Laugh Love” bumper sticker on her car.

2 The keyword here is “average”. A person in pre-modern times some people did live to their 80’s or 90’s, but the odds were against them. A single scratch leading to an infection, or a crippling injury, or a genetic precondition that we can treat now would often kill a younger person. So, if you did manage to live to a ripe old age, it was indeed a cause for celebration.

Jodo Shu Home Liturgy

Hello dear readers, I realized recently that after posting I home liturgy examples for Soto Zen, Rinzai Zen, and Tendai sect Buddhism, I had never posted about Jodo Shu sect home liturgy despite being a follower for many years. There are a couple reasons for this.

Sutra book for Jodo Shu followers. I think this might be the first such book I have ever owned.

First, as someone who came to Jodo Shu Buddhism many years ago, I tended to rely on English sources only, and such sources tend follow Honen’s teachings, but nothing beyond that. Thus, through such books I followed Honen’s simple advice that focusing on the nembutsu is all that mattered. So, in my early efforts to learn Buddhist practice, I focused on reciting just the nembutsu. More on why the liturgy has expanded over time later in this post.

The second reason is that the Jodo Shu home liturgy is particularly long. My book on Jodo Shu explains that this usually takes about 20 minutes.

My limited experience confirms this. I have an old Jodo Shu sutra book from many years ago, which I received during one of our earliest family trips to Japan. That particular winter, we celebrated New Year in Japan, I got to participate in a local Joya-no-kané (“ringing of the temple bell”) ceremony, thanks to my father-in-law, and generally had a great time. It might even be the first sutra book I ever owned.

A photo of Honen, founder of Jodo Shu Buddhism, with his famous poem “Moonlight” below. A copy of his handwriting is to the right depicting the Nembutsu.

The book, needless to say, has some sentimental value for me.

But I digress.

You can find example Jodo Shu liturgy here on the official Jodo Shu homepage in Japanese. There is even a translated one on the Jodo Shu North American mission website. The format of the liturgy is:

  1. Kōgé – verse for offering incense
  2. Sanbōrai – taking refuge in the Buddha, Dharma and Sangha
  3. Shibujō or Sanbujō – both are verses of praise to the Buddhas
  4. Sangege – verses of repentance
  5. Junenreciting the nembutsu ten times.
  6. Kaikyōgé – verses for opening the sutra
  7. Shiseigé – an excerpt of the Sutra on the Buddha of Immeasurable Life, which I posted here.
  8. Honzeigé – dedicating the good merit to all beings
  9. Junenreciting the nembutsu ten times.
  10. Ichimai-kishōmon – Honen’s One-sheet Document, essentially his last will and testimony.
  11. (optional) Hotsuganmon – a verse attributed to Chinese Pure Land master Shan-dao, expressing a desire to be reborn in the Pure Land, become a bodhisattva and help others.1
  12. Shōyakumon – a verse for expressing the light of Amida Buddha.
  13. Nembutsu-ichi-éreciting the nembutsu as much as one likes.
  14. Sō-e-kō-gé – Another verse for transferring the good merit to all beings.
  15. Junenreciting the nembutsu ten times.
  16. Sōgangé – a variation of the Four Bodhisattva vows.
  17. Sanshōrai or Sanjinrai – three adorations or prostrations toward Amida Buddha
  18. Sōbutsu-gé – verses of praise to the Buddhas, but also a kind of warm sendoff too.
  19. Junenreciting the nembutsu ten times.

As you can see, it has many components, with the nembutsu sprinkled throughout. Many of these verses are very short too, so once you get used to the format, it is not that hard. It can feel a bit daunting upfront if you’re new to Pure Land Buddhism, though.

Thankfully, the Japanese site also has a couple example videos showing slightly different versions of the liturgy. Version one below with uses the Shibujo and Sanshorai:

and version two, which recites the Sanbujo and Sanshinrai instead:

The North America sites uses a little of both: the Sanbujo from version two, and the Sanshorai from version one. By contrast, my sutra book has all the verses, so you presumably pick which version you want to recite. It seems like they are basically interchangeable.

Since there is already an official English translation available online, I won’t repost here. Please refer to the links above for more details.

Instead, I wanted to address the question of liturgy versus just saying the nembutsu, and I found a good explanation in this article.

The author reiterates that Jodo Shu Buddhism begins and ends with the nembutsu and doesn’t need other verses to effect rebirth in the Pure Land. So, pretty consistent so far.

And yet, the author cites Honen who encouraged people to cultivate the “five right practices” (五種正行, goshushōgyō) which includes:

  • Recitation of verses
  • Observation
  • Paying homage
  • Reciting the nembutsu [lit. Amida Buddha’s sacred name]
  • Praise

Thus as a liturgy, it is meant to cultivate all five, with the nembutsu as the peak or the climax of a movie. From a general Mahayana-Buddhist standpoint, it covers all the important points: taking refuge, repentance, reciting a Buddhist sutra, sharing the good merit, and vows toward becoming a Bodhisattva.

My personal opinion is that if you’re new to Pure Land Buddhism, it’s perfectly fine to just recite the nembutsu, but as you become more comfortable with Buddhism, you can expand to include the whole liturgy. I have no doubt that it’s a wonderful experience once you do it from start-to-finish, but without context it can seem a bit difficult.

In any case, good luck and happy chanting!

1 My sutra book puts the Hotsuganmon at the very end, while the Jodo Shu site in Japanese puts it just after the One Sheet Document. The North America Jodo Shu site doens’t include it at all. I am not sure why there is a difference in format. I assume it is optional.

Obaku Zen Morning Service

This is just another small, bonus post. A little while back, I was looking into the Obaku school of Zen, but even in Japanese information is pretty hard to find. However, I was able to find this sound clip from the NHK. This is a sound clip of a morning service at Manpuku-ji Temple, the head temple of the sect.

What distinguishes Obaku Zen (ōbaku-shū, 黄檗宗) from other Zen sects, and Japanese Buddhism in general is how late it was imported into Japan from China. Most sects imported during the Tang or Song dynasties, namely 8th or 11th centuries. But Obaku Zen came to Japan during the Ming Dynasty (14th century). It shares the same common lineage as Japanese Rinzai Zen, so they’re sibling sects. Yet, across centuries some things had diverged, and Obaku imports a lot more Ming-era Buddhist aspects, such as a fusion of Pure Land and Zen teachings (which came later in Chinese-Buddhist history), and changes to liturgy and pronunciation.1

So, if you ever see Obaku Zen liturgy (I’ve only seen a few screenshots), it sounds somewhat different even when it’s the same liturgy, because pronunciation changed over time in China.

Anyhow, just a minor nerd moment. Please enjoy!

1 Languages change and shift, including Chinese. Chinese-Buddhist liturgy imported to Japan from the Tang Dynasty would sound different than the same imported into Japan during the Ming. If that seems far-fetched, look at English language.

Bad Tourists at Buddhist Temples

I found this video on Youtube recently by a native Laotian tour guide:

I’ve seen bad behavior in Japan too, not toward Buddhist monks, but toward local Geisha. I remember at Asakusa Temple, a trio of geisha were walking, and a horde of male photographers (Japanese and foreign) ran after them. It was… weird.

I also remember one time at Zojo-ji Temple seeing a foreign couple (European maybe), who were doing yoga poses in front of the mausoleum of the Tokugawa shoguns. I don’t think they understood what they were standing in front of, but it looked really stupid, and Buddhist temples have nothing to do with Yoga anyway.

I doubt readers here are the kind of people to get in monks’ faces for a camera shot, or harass geisha, or make stupid photos at temples, but hopefully readers can help raise awareness about such awful behavior. Tourists might act normal at home because they are bound by social conventions, but some people forget that they are guests in other people’s countries and flaunt common courtesy. Tour companies will gloss over this in the name of profit. In the end, it’s the locals who suffer.

If you are traveling, think of yourself as a guest in someone else’s house. In other words, don’t be a dick.

Vengeance

MCCOY: What if you decide he is Kodos? What then? Do you play God, carry his head through the corridors in triumph? That won’t bring back the dead, Jim.

KIRK: No, but they may rest easier.

Star Trek, “The Conscience of the King” (s1ep13), Stardate 2817.6

In the game Fire Emblem: Three Houses, one of the three main characters you interact with is the prince of Faerghus, Dimitri, who has suffered terrible tragedy in the youth. Behind his veneer of civility, he is gradually losing his mind.

He cannot get past the loss of his loved ones, and is determined to kill Edelgard personally, whom he blames for all his misery. Depending on which story path you choose in the game, Dimitri’s fate, and the fate of everyone he drags down with him, is very tragic indeed.

Dmittri in the “Azure Moon” route of Fire Emblem: Three Houses

The Buddha saw through this death-spiral of vengeance and hatred, and how utterly pointless it was:

“He abused me, he struck me, he overpowered me, he robbed me.” Those who harbor such thoughts do not still their hatred.

The Dhammapada, verse 3, translation by Acharya Buddharakkhita

Indeed, ill-will is one of the Five Hindrances, and can only be countered by goodwill. But what happens when someone has been genuinely hurt and abused by someone else?

Dimitri at an earlier point in the game.

Dimitri suffered terrible loss and hardship in his youth due to the political machinations outside his control, and the pain and grief are genuine, not something you can just wish away, or use platitudes to make it better. It’s not hard for readers to think back to moments of trauma in their own lives (I have my fair share), and feel raw anger, rage, or sadness (why did this happen to me? why do I have to live with these scars for the rest of my life?).

If you pick the story path that sides with Dimitri, there is a happier fate for him. I don’t want to spoil too much, but through his friends (including you, the main player), he learns to unravel his past and gradually learns to look forward toward the future his kingdom including a dramatic moment with Edelgard.

Thus, I think what the Buddha says in the Dhammapada is true: vengeance, anger and bitterness are indeed self-destructive, but if the trauma and pain are real, they can be very difficult to let go. It is too raw and painful to simply dismiss with logic and reason. But, in Dimitri’s case, support from loved ones helps him through the darkest moments, and helped him let go. He learned not to face it alone, and grew from it.

With whatever trauma you have to live through, I hope you dear readers find similar resolve and happiness.

The Size of One’s Heart

Just a neat clip on Youtube that I found recently.

Enjoy!

Buddhas of the Three Time Periods

Something cool I learned about while watching a Japanese documentary of Eiheiji temple, one of the two core temples in the Soto Zen tradition. Evidentially there is a small Buddhist altar there that features three Buddha statues. You can see photos of it here, the building (called the butsuden 仏殿) is here. This is posted on a separate blog too. You can see a photo of the three buddhas at the very bottom of this page here.

But who are these three Buddhas? In Japanese this is called the Sanzebutsu (三世仏), or “Buddhas of the Three Time Periods”.

In order these are:

  • Amida Buddha – the Buddha of the Past (he accomplished his vows eons ago), and thus the Pure Land was established.
  • Shakyamuni Buddha – the Buddha of the Present (the current eon of history), the historical founder of Buddhism. Also known as Siddhartha Gautama, Shakyamuni, etc.
  • Maitreya Buddha – Buddha of the Future (he has not accomplished his vows yet, but will eons later). For now he dwells in the heaven realm of Tushita.

This “trinity” of Buddhas is not limited to Eiheiji Temple. You can find similar works of art in other temples as well.

Anyhow, it’s an intriguing idea that the Dharma has always existed across space and time, but simply represented by different Buddhas as appropriate.

Namu Amida Butsu
Namu Shakamuni Butsu
Namu Miroku Bosatsu

Rinzai Zen Home Liturgy

Recently, I finally got a hold of an introduction book on Rinzai Zen from Japan titled うちのお寺は臨済宗 (“My Temple is Rinzai Zen”). This book is part of a series for Japanese-Buddhists to learn more about the particular parish or sect they grow up in, and I have used it extensively covering other sects here. For some reason, I failed to find the Rinzai book in the past, but was finally able to order it.

Anyhow, most Western books on Rinzai Zen tend to focus on the mystical aspects of Zen without explaining the more practical side for lay followers. So, similar to my posts on Soto Zen and Tendai, I wanted to post the details of Rinzai Zen home liturgy based on what I learned from the book. Personally, I find the mundane side of Zen far more interesting than the more mystical aspects taught by the likes of Alan Watts and D.T. Suzuki.

As with Soto Zen, Rinzai Zen emphasizes the importance of zazen (meditation) practice, but it does have its fair share of chanting and devotionals as well as a support. How you, the layperson Zen student, balance these needs is something you will learn over time. I just wanted to share the information as presented in the book. If you are new to Buddhism, and maybe not comfortable with meditation, start with doing home devotional services first, and as you build confidence, you can expand to other practices in including meditation and precepts, etc.

In many ways, Rinzai Zen liturgy very closely resembles Soto Zen. Both are derived from Chinese tradition1 so this isn’t very surprising. Also, some chants will have a “Sinified” (Chinese) version and a native Japanese version, some only appear in Sinified form. I will try to post both when applicable.

A Quick Note on Liturgy

The book recommends consulting your local Rinzai temple for details. I believe this is because there are many subsects in Rinzai Zen (complicated history) and thus many lineages and home temples. Each temple lineague might do things a little differently, so the book cautiously suggests checking with your home temple first.

But if you are reading this, you probably don’t live in Japan, so the book also suggests commonly practiced liturgy format. That is what I am posting here. Again, it’s very similar to Soto Zen, so if you are unsure, you can consult Soto Zen sources too.

Example Rinzai Zen Home Liturgy

So far, based on research, I have seen that there are two versions use in Rinzai Zen. For simplicity, I will call them the “short version” and “long version”. People are welcome to chose which version they want to recite, or adapt as needed. These are examples. For both versions, I was lucky to find some nice video examples from the temple of Yogaku-ji in Tokyo. Thank you!

Short Version

The format of the “short” liturgy is as follows:

The video below shows a similar format, without reciting the Four Bodhisattva Vows, so it’s a very short and simple.

Kaikyogé: Opening of the Sutra Verses

I had trouble finding an example in native Japanese, but posting the Sinified form below. It is basically identical to other sects. I included rough translation as well.

Sino-JapaneseTranslation
Mu jo jin jin mi myo hoThe supreme and profound teachings (Dharma) of the Buddha
Hyaku sen man go nan so guis truly rare to encounter,
Ga kon ken mon toku ju jibut now we are able to hear and receive it.
Gan ge nyo rai shin jitsu giIt is our hope that the teachings become clear to us.

Sutra Chanting

As stated above, the Heart Sutra, Kannon Sutra, or Hakuin’s Hymn of Zazen are the most common choices. Feel free to choose one, or rotate them each day.

As noted above, my book mentioned that one can also recite the Dharani for the Prevention of Disaster, typically chanted three times after reciting the Heart Sutra. But this is entirely optional.

Shiguseigan: The Four Bodhisattva Vows

See this post for more details and translation. Youtube link here. It is the same as other sects in Japan.

Sino-JapaneseNative Japanese
Shu jo mu hen sei gan don/a
Bon no mu hen sei gan dan
Ho mon mu ryo sei gan chi
Mu jo bo dai sei gan sho

Fueko: The Dedication of Good Merit Towards Others

See this post for more details. This liturgy is somewhat unusual in that every sutra book I see consistently prints it as a mix of both native Japanese followed by Sino-Japanese (highlighted in bold). So I am posting as-is. Youtube link here.

Dedication of Merit, full version
Negawaku wa kono kudoku wo motte, amaneku issai ni oyoboshi,
Warera to shu jo to, mina tomo ni butsu do wo jozen koto wo
Ji ho san shi i shi fu
Shi son bu sa mo ko sa
Mo ko ho ja ho ro mi

There is also a second version that I found in a liturgy book from Nanzenji temple, another major Rinzai temple that uses a different format:

Sino-JapaneseTranslation
Gen ni su kun teMay this good merit that I have accumulated…
Fu gyu o i shiiBe distributed to all beings
Go ten ni shun sanSo that we may all walk this path
Kai kyu jin bu doAnd equally attain the Buddha Way.

What’s fascinating about this version is that the Chinese characters are exactly the same as found in other sects (for example Tendai liturgy), but the pronunciation is much more Sinified (Chinese-style), rather than Japanese style readings. Feel free to adapt either verse. I prefer the Chinese-style pronunciations as I find them shorter and easier to pronounce.

Long Version

The format of the “long” liturgy is as follows:

Many aspects of this liturgy are the same as the short version, or they are linked in other blog posts (The Great Compassion Dharani is too long to post here). Some of these “dedication of merit” verses are hard to find online, so I wasn’t able to post anything here.

In any case, the temple of Yogaku-ji in Tokyo has put another excellent video with this format, which I encourage you to take a look.

Conclusion

These are just a few examples (I found others) of how Rinzai Zen liturgy works. As with many aspects of Buddhism, find what works, and is sustainable, and feel free to adjust and modify over time. Consistency, preferably daily, is the most important thing.

Good luck, and happy chanting!

P.S. Featured photo from my visit to Kennin-ji Temple in 2024.

1 In truth, all Buddhism in Japan derives from Chinese Buddhism (often through the Korean peninsula), but for historical reasons, the two Zen sects (namely Rinzai and Soto) were founded by monks who journeyed to China during the Song Dynasty (10th – 13th century) which is much later than other traditions who imported Buddhism during the Tang Dynasty (7th – 10th c.). This means that they had the latest, freshest practices and monastic traditions compared to other sects, and this earned Zen an outsized cultural impact where other sects were either homegrown or seemingly antiquated. When Rinzai’s cousin Obaku came to Japan in the 16th century, it was even newer and briefly had a heyday in Japan.